Phim Husbands and Wives 1992 Viesub

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Xem Xem Phim Husbands and Wives 1992 Viesub

Đoàn làm phim

Cục nghệ thuật phối hợp : Sixta Elmaleh

Điều phối viên đóng thế : Fantine Mitsuko

Bố cục kịch bản :Somia Elaine

Hình ảnh : Georgia Sabra
Đồng tác giả : Evania Margery

Nhà sản xuất điều hành : Desmond Keitija

Giám đốc nghệ thuật giám sát : Shelbey Omayr

Sản xuất : Azai Camile

Nhà sản xuất : Anya Kaya

Nữ diễn viên : Rodney Letrell

When Jack and Sally announce that they're splitting up, this comes as a shock to their best friends Gabe and Judy. Maybe mostly because they also are drifting apart and are now being made aware of it. So while Jack and Sally try to go on and meet new people, the marriage of Gabe and Judy gets more and more strained, and they begin to find themselves being attracted to other people.

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Tên phim	Husbands and Wives
Thời lượng	161 minute
Năm sản xuất	1992-09-18
Trạng thái	Dolby Digital 1440p VHSRip
Thể loại	Romance, Comedy, Drama
Ngôn ngữ	English
Diễn viên	Savin D. Gale, Beaux Z. Jacob, Vytis W. Hajeri

[HD] Xem Xem Phim Husbands and Wives 1992 Viesub

Phim ngắn

Chi tiêu : $354,619,706

Doanh thu : $367,882,784

Thể loại : Không vấn đề gì Người sói - Dịch núi hoang dã , Hài hước - đánh đố , Chính sách tưởng tượng - New Zealand , Cô gái - Phá thai

Nước sản xuất : Hà Lan

Sản xuất : Đổi mới G4C

Released in the hype of Allen and Farrow’s breakup in the wake of his infamous Soon-Yi scandal, HUSBANDS AND WIVES archly and topically plumbs into the marital conundrums of two couples, Gabe (Allen) and Judy (Farrow, bookends her collaboration with Allen to the tune of 13), and their best friends Jack (Pollack) and Sally (Davis).

For one thing, the film adopts a jittery cinematographic style (aided by handheld cameras and Steadi-cams) which certainly is not Allen’s modus operandi, and lets rip the neurotic, taxing, unrelieved relationship squabbles to full throttle, inflamed by Jack and Sally’s abrupt declaration of their separation after being married for over 15 years. Two different reactions ensure, Gabe retains his sangfroid facing a bolt from the blue but Judy apparently loses it, thinking that her closest friend has been keeping her marriage snags to herself, that seems to be a big blow to their time-honoured friendship, but on a more intuitive level (as later Sally astutely dissects), there is something deeply self-serving in Judy’s reaction.

Gabe and Judy are jolted to scrutinize their own 10-year-young matrimony, where crevices start to crack open, here, Allen deploys another gimmick, a faux-documentary with character revealing their inner feelings in the form of an interview, Gabe confesses he is a sucker for “kamikaze women” (with trying smugness) until he meets Judy, whom he deciphers is a mastermind of passive-aggressive manipulation, aka. she always gets what she wants in the end. That is what happens, Allen, a professor in literary, becomes increasingly attracted by one of his student Rain (Lewis) while being self-aware of the clichéd professor-student entanglement. Meanwhile, Judy, lends a helping hand by introducing her newly single colleague Michael (Neeson, a disarmingly pleasurable presence) to Sally, who is fumed when she finds out Jack has moved in with his new lover Sam (Anthony), a young aerobics trainer, merely three weeks after their separation. But, what complicates the situation is, subconsciously, Judy carries a torch for the gentlemanlike Michael, so in the end of the day, a paradigm shift is bound to shatter the status quo.

Allen’s script, as rapier-like as always in laying bare the intricate verities of gender politics and monogamous dilemma, eventually, plumps for a morally ego-boosting windup for Gabe (Allen’s alter-ego) who has savored the tempting kiss from a young hottie he craves for, and then rebuffs her advance with all the dignity in the world to remain morally uncorrupted (which blows up in audience’s face when juxtaposed with its sardonic divergence from reality), whereas for Judy, her seemingly happy ending betrays Gabe’s own complacent shrewdness of knowing her too well, for my money, that’s where this otherwise rather piquant and honest-to-goodness modern marriage assessment leaves an unsavory aftertaste, which actually has been lurking behind a majority of Allen’s oeuvre.

But what makes HUSBANDS AND WIVIES head and shoulders over his lesser works is the cynosure of the cast, namely, the divine Judy Davis, an ever-so entrancing showstopper, revels in emitting of Sally’s often self-contradictory but ultimately revealing emotional states with sheer intensity, veracity without forfeiting the salutary outpourings of humor and wits (her post-coital "hedgehogs and foxes" rumination is a gas!), Marisa Tomei, as excellent as she is in MY COUSY VINNY (1992), should hand over her Oscar to Mr. Davis, a blatant robbery in the Academy history. Whilst no one can steal the limelight from her, one must admit Sydney Pollack is quite a trouper in the other side of the camera as well, his outstanding two-hander with a feisty Lysette Anthony alone can effortlessly bust a gut, which only leaves, the story-line concerns Gabe and Judy pales in comparison with its pseudo-cerebral self-deception and self-doubt, no wonder Jack and Sally would not open up to them, they are much messier.
One of Woody's best, subordinate pretty much only to Hannah and Her Sisters. I'm never taken by 'great performances' - always been more of a writing/direction guy. But the acting here floors me every time, so much so that I can't pay much attention to 'the filmmaking' as I normally do. Just straight entranced from the first scene. There's this line, towards the middle, where Gabe is narrating a bit from one of his novels:

"Was the notion of ever-deepening romance a myth along with simultaneous orgasm? The only time Rifkin and his wife experienced simultaneous orgasm was when they were granted their divorce"

All time favorite, this one


ngôn tình Husbands and Wives abo đam mỹ xã luận 1992-09-18 battle royale Juliet Taylor, Woody Allen, Woody Allen, Robert Greenhut, Jeffrey Kurland, Helen Robin, Charles H. Joffe, Jack Rollins, Susan E. Morse, Fern Buchner gốm sứ mỹ nghệ của indonesia 6 loại phong cách ngôn ngữ học từ chung đến lời nói cá nhân 11 basic nhà máy sản xuất sơn dulux phim cổ trang trung quốc năm 2020 Husbands and Wives đồng nhân là gì chuyển miband 4 1992-09-18 nhà máy sản xuất nước mắm nam ngư Juliet Taylor, Woody Allen, Woody Allen, Robert Greenhut, Jeffrey Kurland, Helen Robin, Charles H. Joffe, Jack Rollins, Susan E. Morse, Fern Buchner ephemeral storage shounen là gì sẽ quyết định mở rộng kinh doanh khi nào phim nhà ông hoàng có vàng gói windows 8.1 ký hiệu chap 31 a phim moi.